Crossbow Man in Arcadia

An outer-planar, modular hex-crawl with a fabulous map and a provocative, exclusive miniature!

Trails of Arcadia Now on Kickstarter

Trials of Arcadia is the third module of the Circle of the Blood Moon adventure path for 5E and Pathfinder 1E. It is a 32-page adventure for levels 5-8 that you can run as a stand-alone or the next chapter of the campaign. It is also setting-agnostic, and you can easily insert it into any medieval fantasy world of your choosing – including Kingdom of Lothmar, our very own campaign setting.

With this Kickstarter campaign, you will be backing the production and publishing of the third module, Trials of Arcadia. Still, you will also be able to acquire the first two modules of the campaign at a preferred price through add-on products!

We are also bringing Kickstarter an exclusive miniature of one of the campaign’s antagonists, the celestial Naradul!

Click here to back us on Kickstarter!

 

Our printed products are gorgeous.

For our first Tales of Lothmar module, Burials of Teganshire, we used a new printing tier. The printed book is 8.5” x 11”, and the printer uses a digital offset laser press on premium 70# paper. This was taken with my crappy cell-phone camera:

That’s just the technical, physical side. We use a graphics designer and layout artist to layout the book. Guthrie is also a fellow RPG player, so he knows what is what. He has expert stat blocks, and the Tales of Lothmar layout he designed pops the text on the PDF, but especially in the premium printing. Our physical Tales of Lothmar books are some of the best in the industry.

So, if you’ve been on the fence about PDF vs. Print, go both: you won’t be disappointed.

For those of you outside of the US, international shipping has gone cra-cra. We don’t have a non-US print agreement in place (yet), but we do upload our print files to DriveThru RPG, and they have worldwide distribution for Print on Demand. Our distributor also has a relationship with Amazon, so our books show up there, too. So, for our international fans, hang-tight. One day we will offer better international shipping options, but until then, a digital pledge still goes a long way.

We love books at Griffon Lore Games. Placing great content in a premium book is our thing. Now is the time to back or change your pledge to physical goods if you haven’t already!

Thanks, everyone for your generous support!

Fire On Claymore Woods

Crossbow Man looks Premium in premium print.

I’m a big fan of magical items. At their core, they are more worthy and defining than (optional) feats and class powers. You can find magic items, kill for them, steal them, create them, trade them, and sell them.

Magical items can even be cursed, intelligent, malignant, or helpful.

For D&D (the Pathfinder variant, not so much), a DM can design a campaign that does not allow magical feats but has magical items that empower the PC with the feat’s power. If the player wants his character to have that power, they go on an adventure to obtain it. Especially in a sandbox campaign, these player-directed plot points add just that right roleplaying flair.

There can never be enough magic items in a DMs story-telling arsenal as long as the DM is not twinking out the players in some “I wish I were a player” wish fulfillment. Here are three that you can add to Fire on Claymore Woods or any other module.

True North

This +1 dagger is of dwarven manufacture (stamped with a small dwarven rune from its maker) but made for either an elf maiden or a human noblewoman. It is elegant and feminine in design and very sharp.

True North has an odd property for such a beautiful weapon. If spun on a flat surface, its blade will always point north when the dagger stops moving.

The Golden Pocket Stopwatch

A pocket watch.The Golden Pocket Stopwatch is a fantastic bit of engineering and practicality. It has two hinged openings:

  • On one side is a watch that tells time in hours, minutes, and seconds. The adjustable dials on the sides of the watch can manipulate and change the hours and minutes.
  • If the other side is open, it reveals a stopwatch. Pressing one of the small dials will reset it, while another will start and stop it. It has an hour, minute, and second hands.

The magic imbued in the watch does two things. It makes it impervious to the elements (the watch even works underwater) and serves as the tiny power source. It needs no winding.

On the interior of one of the watch’s doors is a handsome, mustached man’s face engraving. The other door has an odd phrase in draconic: “Everything lost in time except my memories.”

The Weirding Mirror

The Weirding Mirror has a bad reputation, but not of its own making. It’s a pocket silver mirror and has the passive benefit of raising a PC’s Charisma attribute by 1.

If someone looks into the mirror, it activates and goes well beyond showing the wielder a reflection of themselves. It takes a week of carrying around the mirror to attune and activate its properties.

After a week, the reflection moves and speaks to the wielder (in the owner’s voice) of its own volition. It is a sophisticated psychic construct of sorts, able to hold an intelligent conversation, remember details of what someone told it, and an understanding of the current world.

The talking reflection has one goal: to dispense relationship advice. It will listen to the PC and offer advice, usually practical. It has a keen understanding of human nature and will try its very best to have the PC meet their relationship goals, gently guiding a PC into a long-term relationship.

And that’s all the mirror does. However, things frequently go wrong with the use of the mirror:

  • The reflection for other people is only a reflection. The independent speaking and movement happen in the wielder’s mind. Observers of someone using the mirror usually think the owner is talking to themselves. Thinking to the mirror doesn’t work; to communicate with it, the owner needs to speak aloud.
  • The mirror design facilitates human relationships in a feudal society. Outside of that context, it is unhelpful and will admit as much. All it can do is offer pithy advice (get a haircut, clean your robes, etc.).
  • The mirror will get angry if the PC uses the advice to “love and leave” a paramour. If the PC does this on several occasions, it causes the construct to malfunction. It will turn into a sociopath, and the only way to get back to normal is to give the mirror to someone else, which resets its magic. However, if the PC keeps following the sociopathic advice, their alignment will shift to Chaotic Evil.
  • While the mirror does improve the owner’s Charisma, it dispenses advice and nothing more. However, over the years, people have accused it of manipulating the object of the owner’s affections. Many people react negatively to being magically charmed, even if they technically were not. The mirror warns the owner of this but unfortunately hasn’t figured out that telling the owner to hide its properties makes it more suspicious, not less.

If broken, the mirror will not function, but a spell caster can quickly repair it with a simple cantrip or other low-level magic. The magical properties are associated with the mirror’s silver frame. An owner can replace the mirror glass at any time.


There is still time to back Fire on Claymore Woods, an adventure module for 5E and Pathfinder 1E. Click here!

Fire On Claymore Woods

Crossbow Man would love the watch. He already has a magical dagger, henceforth named “Stab-Yer-Face.”

This is a story about Taco, the Fighter. Taco was the very first D&D PC I played. I was introduced to D&D in Jr. High this way:

“Yo, Anthony. Want to play D&D?”

“What’s D&D?”

“Dungeons & Dragons. It’s a game. You can play an elf, a dwarf, a halfling, or a human.”

“Oh, like Lord of the Rings!”

“Something like that.”

Off to the library we go, and we get a lecture from Karen, the Librarian, about the noise of dice on the table (solved by rolling dice on a large map book). The DM helps me make a character and says I should play a fighter. He briefly explains rolling dice and says that I can do anything I want, and he’s the Dungeon Master, which means he referees all the actions.

Something clicks in my brain. “You mean I can act out how my character does things? I don’t have to follow some rules? We can just do stuff?”

“Exactly.”

So, at this point, I’m only moderately confused, and the adventure starts. I’m watching the other two players do things, and it becomes clear what role-playing is. The other two are cautious and want to know what everything looks like and what they hear, and smell and the weather and and and THIS IS THE BEST GAME EVER. I still don’t see how we go from my character sheet to doing things, but in my mind, I picture exactly how everything looks.

Eventually, we find the Orc bandits, and the DM plays them as amused thugs. They challenge us on the trail. Give us your coin, and we will let you go. The other two are getting ready to attack.

“Hey, we can do what we want, right? Let’s talk to them and see if they’ll join our own gang. We could even offer to pay for them.”

“Yeah, right,” says one player.

“They are orcs,” says the other player.

“I go talk to the orcs,” I say.

“Sure,” says the DM. “You going to do it from there or walk up to them?”

Me: “I walk up to them!”

DM: “OK, you’re at the two orcs.”

Me: “Hey, uh, orcs. Do you…”

DM: “You have the coin, slug-skin?”

Me: “No, let’s…”

DM: “You hear rustling behind the trees next to the orcs. Roll initiative.”

Other Player: “Oh, man, a 1.”

DM to Me: “Longbow arrows come out of the woods at you!”

DM: Rolls dice.

DM: You get hit twice. You take 14 points of damage. You die with an arrow to your throat!”

At this point, I am sad because the other two are battling the orcs, and I died and didn’t, and then further sad as the other two (badly wounded) PCs get to loot the orcs and split it only two ways.

But I quickly rolled another fighter, called him Potato, and off we went. Potato lasted three encounters, but when he died, he had a will, and all of his stuff went to his brother Yogi. And I knew at that point D&D was the coolest game in the world.

How about you? How did you find out about D&D, and what was your first PC?


Our Kickstarter is still going! We’re funded, and don’t miss out on the discounts and stretch goals!

Fire On Claymore Woods

Crossbow Man is NOT named Taco

A Beacon of Warmth and Danger (dun, dun, dun, dun!)

Ah, the campfire, in modern times, it is a beacon of light for warmth or merriment in the dark, the promise of wholesome food, and the world’s original gathering place for conversation.

In D&D, a campfire is usually a giant “here’s a big snack!” for monsters or “come kill me or take my stuff ” for brigands.

In a role-playing fantasy game, the titular campfire is an Encounter, especially if the PCs did not make it.

Here are three campfire-encounters, heavy on the role-play, for a DM to use. These encounters are not skill challenges. The PCs are traveling from Point A to Point B on a trail less traveled. In the dark, they spot the flickering light of a campfire.

Campfire 1: Beware the Old Man in a Profession Where Many Die Young

Javier Lance is eighty-years-old, wrinkled, and still muscular. A survivor of many skirmishes and a few battles, Javier is a tired man. His joints hurt in the cold more than usual, he’s slowed down considerably, and worse, to him, he’s beginning to forget things.

Thus, even living with his extended family (having buried his wife several years ago), Javier kissed everyone goodbye and left for “an extended hunting trip.” Javier is not a man to die in his sleep happy. His goal is to part the mortal realm with a blade in his hand in a final kill-or-be-killed fight. Everyone knows why he left.

Campfire Description

At the campfire is a man, turning a spit with a fat, skinned rabbit roasting over the coals. He’s tall, athletically built, and old. A well-used heavy crossbow sits against a tree along with a boar spear. 

The man is armed to the teeth with a sword, warhammer, and numerous dagger sheaves on his dull-silver split armor under camouflage cloth. A battered shield with the King’s livery sits on a stump.

Javier’s Motivation

Javier came to the woods to die, knowing there are several Dire Cave Bears and Dire Boars about the woods. If approached, he will gladly share his campfire, the rabbit, and swigs of whisky from his flask.

Javier didn’t spend decades as a decorated soldier without learning a thing or two about people. He has a keen insight about people, and if he thinks the PCs are evil or wish him ill, he’ll smile at being favored by the gods in his old age and attack.

Disposition

Friendly

Javier, if treated with kindness and respect, offers to trade the PCs, either his crossbow, shield, sword, or warhammer, for one like item. Whatever the PCs have, Javier’s will be better. For example, if the cleric has a +1 shield, Javier’s will be +2.

The exchange is only for one item. If any (or all) PCs have a heroic reputation, he will ask them if they can meet him back at the camp location in three days.

If the PCs do so, they will find him dead of multiple wounds from some beast, with a smile on his face.

The PCs should bury him with his weapons or burn his body on a pyre with same. If they take his stuff, the local deity of war curses the PCs en masse, and the PCs will always fight under the curse spell’s adverse effects until they atone.

Does Javier Lance tell the PCs why he is here? Only if he senses that they would respect his choice.

Neutral

Javier tries to make friendly conversation, but if the PCs are not pleasant or say the wrong thing, it doesn’t bother him. He’s mostly immune to people’s bad manners. 

Javier will offer to share a meal, and then he desires time to be alone with his thoughts and prepare his communion with the gods of the land.

If the PCs refuse his request, his disposition changes to Hostile.

Hostile

If the PCs are evil or turn hostile, Javier will matter-of-factly don his shield, grab his crossbow, and attack the weakest PC in terms of melee ability.

No need to roll up stats of Javier: take the best melee PC’s character sheet and clone it. Javier fights with a shield, longsword, and warhammer, switching weapons when appropriate. However, the gods have blessed this old man to have a glorious battle to the end. They give him:

  • The ability to strike as many times as there are PCs
  • All his hits do maximum damage
  • He always makes a saving throw or ability check
  • He can move about the battlefield without provoking opportunity attacks
  • He will fight until he is at -10 hit points, or until only the melee PC is the last one standing, in which he will die when the melee PC lands a good blow

He uses these tactics:

  • Javier will always deliver a death-blow. He is fully aware that healers can heal fallen people with magic. He will always strike at a fallen PC until assured that the PC is dead
  • He attacks in order from the lowest hitpoint PC, controllers, healers, damage dealers, and finally knights or heavily armored fighters
  • Javier is smart enough to put himself between a tree and a ranged weapon
  • At this point, any pain Javier feels is transitory. He smiles through the entire experience, thoroughly enjoying himself

This fight is not fair, but the PCs should be wary of Old Men in a profession where men die young, especially if they are communing with the gods before a battle.

Campfire 2: The Folly of Youth

Before a nice tent, this campfire has a young, heavily armored knight staring at the flames of the campfire. He wears a holy symbol and religious livery. He has pale skin but a stern demeanor.

The knight is Sir Davian Kadlem, a young but proficient cavalier and paladin. He’s here on monkey business, here to meet a lover. Tragically, his lover is a vampire. She already bit him twice.

Despite his stern demeanor, Sir Kadlem will easily converse with PCs and eventually cut off any conversation by saying he is here to meet a person privately and needs the PCs to be on their way.

Sir Kadlem will lie through his teeth about his shame, but it’s all lies by omission. If pressed, he tells the PCs his meeting is of intense personal nature and not for public consumption but a family matter–all true.

Kendra the Vampire

Thoroughly evil and entirely malignant, Kendra is a user and abuser. She uses handsome young men, feeds off their essence, and kills them before moving on to a new lover.

Somewhere in her dark heart, she grew fond of Sir Kadlem, and she perversely takes pleasure in the thought of bringing a paladin to wicked ends and becoming her companion and servitor for all eternity.

If the PCs confront Kendra at any time, she turns into a bat and flies away, or, if in dire straits, her misty form.

Possible Outcomes

This campfire is not a skill encounter where the PCs roll a dice, and the DM says this, that, and the other thing. Let the players organically come to their conclusions.

The level of the vampire and Sir Kadlem is variable, as a rule of thumb, an Average Party Level +4 encounter.

Liaison Observation

If the PCs are busybodies, leave, and spy on the paladin, a woman rides up to the campfire on a horse, jumps into his arms, and the two disappear into his tent.

Somewhere in the darkest hour, she bites him, but it’s doubtful the PCs will observe that. At dawn, she will ride away, leaving behind Sir Kadlem’s corpse to rise as a vampire fledgling at night. If the PCs go into the tent, they can tell something terrible happened, and even an examination by a non-healer will find the bite marks–this time on his neck.

The Pale Man

What do people look like after a vampire feeds off them two nights in a row?

Answer: Not healthy. 

Sir Kadlem hides his malaise well, being so athletic. However, the most telling way he hides his condition is that he doesn’t know Kendra is a vampire. He thinks incorrectly, but honestly, he has a bout of food poisoning. He’ll even ask a PC if they look like an herbalist if they have some herbs to settle his stomach.

Davian’s neck is free of bite marks. They are in other places on his body, only found on a physical examination without his clothes. If a medically-inclined PC gets him out of his clothes and shows him the bite marks with a mirror, he’ll break his charm and ask the PCs for help.

Kendra won’t give up. She’ll fight the PCs for Davian but flee if the PCs do severe damage. Unless the PCs break his charm, Davian will fight for Kendra. She’ll think it’s hilarious if he falls, especially if the PCs are good.

I Read Your Thoughts

If a PC has a way to read memories and does so, those memories are disturbing. The knight has a paramour, but his memories never reveal her image. It is as if he is talking and having a liaison with an imaginary person.

Such is the power of a vampire that her image, even in memories, is not visible. If someone wants to gaze upon this vampire, they need to do it in person.

Where Is Your Horse?

Sir Kadlem came here on a horse, but his horse is not here, nor can he summon it magically. If the PCs ask about his camp contents, besides the tent is a lance and a horseman’s mace.

An inquiry about his horse is one of the few ways PCs can tell something is amiss–his horse ran off in disgust, and Sir Kadlem isn’t particularly worried about it. He’ll claim his horse was “moody” today, and before he could take off the saddle, he galloped off. “He’ll be back,” he says.

Sir Kadlem is not just a paladin; he’s a cavalier. His horse is the way he engages in battle and his honor. PCs can press him, and if they take a logical, systematic approach to their questioning, it becomes apparent that someone has muddled Davian’s thoughts. He alternates in bragging about his horse and his cavalier skills to an indifferent attitude on his horse’s fate.

It is now up to the PCs to figure out what comes next. In any event, the only way the paladin’s horse comes back is if he atones for his weakness. Once he has done so, his god sends him back his mighty paladin steed.

Victory (?) Conditions

The only way for the PCs to achieve some measure of victory is to get Sir Kadlem to his temple. Unless they break his charm (by dispelling it or by a protection from evil spell), he will fight them all the way. Regardless, sometime during the night, Kendra will attack the PCs on the way to the temple.

Once at his temple, the priests break his charm and heal him. However, Sir Kadlem will have to atone for his weakness–he will have to confront his nemesis and former lover and drive a stake through her evil heart. No small task, as he will not have access to any of his paladin powers until he has completed it.

He’ll need help in this quest. He won’t be able to complete it on his own.

Campfire 3: Death Head Ranger

Just what kind of people are the PCs? This encounter can put them to the test if they think they are all that and a bag of chips. This location should be at the edge of a remote, primal forest, far from civilization. The PCs may or may not be heading to a destination in the woods.

This campfire is at a permanent campsite. The fire has a windbreak that pushes heat back to a well-built lean-to. Well-placed rocks ring the flames, and a metal stewpot hanging on a metal tripod fills the campsite with the smell of savory stew.

At the camp is a middle-aged man in leather armor, a uniform of some sort–on his shoulder is a death head patch. This man is the Ranger Tamshire Roe, and he is a demi-god of sorts.

Tamshire Roe’s Motivation

The ranger forms a symbiotic relationship with an ancient green dragon, Sirlaenth, that lies deep in the forest’s center. At one time, the dragon tried to charm him, but Roe, a master ranger retiring from a harsh life of adventuring, pretended to be charmed. There was something odd about this gargantuan dragon, and Roe decided to get to the bottom of it.

Through observation and many conversations, Roe learned this particular dragon was immortal, as she set up her lair in a forest that, for reasons unknown, kept her from eventually dying of old age. Over the centuries and still thoroughly wicked, she has grown contemplative and stoic.

When Roe revealed he wasn’t charmed, the dragon laughed, thinking that was amusing and stupid on his part. Still, they quickly formed a relationship–the ranger would protect her forest from intrusion during retirement and ask nothing in return. He would even give her the considerable treasure he amassed over the years. As a ranger, he does not need material wealth.

In return, the dragon promised to “not fly off and do stupid shit to attract dragonslayers.”

Roe’s motivation is simple:

  • Protect the forest’s inner core from intrusion
  • Hold conversations with travelers to learn about the world-at-large
  • Deliver any treasure and information accumulated to Sirlaenth

What did Roe receive in return? He received peace and quiet with the occasional “turn back now there be monsters” speech. But now, he too is immortal. The same mystical properties that keep the dragon alive are keeping him from aging, also. Roe is over five-hundred-years-old.

Tamshire Roe’s Past

Before he embarked on a life of adventure, Roe was a feared hunter of men and elven criminals for a kingdom now long defunct. Lore or history savvy PCs will recognize the death head’s patch from an infamous group “widely known for tracking down men and elves for a tyrannical king,” although the real history is less dramatic. Criminals and enemies of the state would flee into the primal forest on the Kingdom’s border. Roe was a member of a company that would track them down.

If confronted about this past, Tamshire Roe will shrug his shoulders and proclaim, “I ain’t like that no more.”

Using Roe

Roe is a way for the DM to insert esoteric lore and odd help from strange places. Roe intentionally lights a campfire (see below) where the PCs can see it at night. The moment the PCs approach the fire, the ranger started judging their worth.

Low-Level PCs

Roe will heal any wounded Low-level PCs, ask for gossip, and, if prompted, he is a vast treasure trove of lore around nature and history. If asked about his patch, he will state it is a warning to the forest’s enemies that only death awaits them for defiling it.

If the PCs need to get somewhere in the forest, Roe will happily guide them and protect them from harm as long as their destination is not its core.

Mid-Level PCs

As with low-level PCs, Roe is helpful, if a bit odd, extending the PCs the same courtesies as if they were low-level. However, he will ask the PCs for a boon in return–if he helps them, the ranger would like the PCs to obtain supplies for him: Roe has a fondness for booze, wine, cheeses, and anything else he can’t make in the forest during his perpetual campout. He can pay twice the going rate for such items.

He pays in coin, usually taken from people that try to penetrate the forest interior.

High-Level PCs

Tamshire Roe is highly wary of high-level adventuring heroes, viewing them as arrogant and dangerous. However, he always judges people based on their actions, so it’s not so much what the PCs say than what they do.

Powerful PCs could know that the forest center contains an epic dragon. Roe will admit as much but warns the PCs that what they are talking about is not a dragon but a “primal force of distilled nature.”

A high-level party could be after esoteric lore or an item. Roe will exchange items for like items and folklore for a minor magical item or gems and coins but warns the PCs that it will take several days for him to fetch what they need.

Under no circumstances will Roe lead the PCs to the dragon, but the dragon, in human form, could decide to meet the PCs at the edge of the forest.

Getting Frosty

Attacking Tamshire Roe has severe consequences. Not only is he capable of running a hit-and-run battle through the forest, but also tracking PCs who manage to escape his wrath. If the PCs decide to get it on, conclude the session (letting the players think about their folly for a bit), and pick back up with a max-level ranger with the following properties:

  • Tamshire Roe is a 20th level ranger with appropriate magical items.
  • Roe can teleport at will to any of his campfire sites in the forest. There are twelve of them that dot the edges. He can do this as a reaction to being hit, stunned, grappled, or incapacitated
  • However, in the woods, PCs are unable to teleport or plane shift or go ethereal. This restriction also includes low-level spells such as misty step
  • PCs cannot scry him, and divination reveals he is “a forest creature of death” and nothing more
  • The ranger cannot have his thoughts read and is immune to psychic damage of any sort
  • He has all the powers, immunities, and resistances of a legendary ancient green dragon, including the breath weapon
  • Finally, if killed, Roe and his gear disappear for 1d4 days and reform at one of his 12 campfires. The only way to permanently kill Roe is to destroy all his campfires and kill the dragon within

Both Sirlaenth and Roe instantly know if someone attacks the other, and the dragon will come to his aid should he be pressed. Now PCs are dealing with both a quasi-deity of the forest and the oldest dragon. Neither Roe nor Sirlaenth are evil; they have transitioned well-past moral and ethical boundaries.

Companionship

Someone could offer Tamshire companionship, and while he is flattered, the shape-shifting Sirlaenth is all but his wife in name only, and not only that, jealous and protective of anything she owns, which in her mind includes Roe.


Our Kickstarter for Fire on Claymore Woods is going strong. Back today for a great discount and a DM-friendly stand-along module or a sequel to Burials of Teganshire.

Fire On Claymore Woods

Crossbow Man Returns, and he ain’t happy.

Fire On Claymore Woods

Built With BoldGrid

 

“A vain celestial, drunken fairies, and plotting druids. Meet the second chapter of the Circle of the Blood Moon campaign!”

Primary Link |  Back now on Kickstarter!

 

Heading

Choices and Consequences: which way will the PCs go, who will they support, and how far will they go to achieve victory?

Choices

In  Fire on Claymore Woods, we present the PC with many choices, including making no choice at all. For example, do they help the villagers protect the village core and its chapel with the mysterious obelisk, or do they help the surrounding farmers protect their farms?

But that choice is only available if the PCs solicit a knight in defense of the village. The knight is concerned with his farms and tells the PCs the villagers can rebuild it. But the Burgermeister counters that the farms rely on the village, and without it, everything from obtaining supplies to surviving the winter will be difficult and potentially catastrophic.

PCs might not even know the farms need protection! The local knight is the only NPC with the strategic training and forethought to realize their enemy will try to draw them away from the village by setting fire to structures far enough to draw them away from the chapel.

If the PCs don’t talk to him, they might never know.

Where do they go now?

That’s a sample of the decisions the PCs must make. Once they defend the village (or not), they need to find the druids to talk to them or exact revenge. But the Claymore Woods are wild and dangerous, filled with threats, supernatural shenanigans, and wonders. There is no map of the woods, the PCs are on their own, and they will need to explore.

The direction they choose sets the stage, but the deeper they go into the woods, the more dangerous it gets. They’ll need to do more than make a few tracking rolls. They’ll have to start thinking like their adversaries. They’ll need to decide how sneaky to be, or if a good-old-fashioned “kill everything that moves” play is in order.

Consequences

We hope that gives you as a Game Master a sample of the adventure flavor in  Fire on Claymore Woods. Like most Griffon Lore Game products, there are no easy answers, and those answers are usually not right or wrong. Indecisiveness is the best way to “lose” our modules, and the players always have the ultimate choice:

Are their PCs Zeros or Heroes?

Back Fire on Claymore Woods today and find out!


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Need a challenging solo monster for your 5E game? Here’s a fantastic construct that can dominate the battlefield.

Clockwork War Dragon

Large construct, unaligned

Armor Class 18 (Natural Armor)
Hit Points 178 (17d10 + 85)
Speed 40 ft., climb 40 ft., fly 80 ft.

STR 23 (+6) | DEX 16 (+3) | CON 21 (+5) | INT 10 (+0) | WIS 8 (-1) |CHA 19 (+4)

Saving Throws DEX +7, CON +9, WIS +3, CHA +8
Skills Perception +8, Stealth +7, Survival +4
Damage Resistances Fire, Psychic; Bludgeoning, Piercing, and Slashing from Nonmagical Attacks that aren’t Adamantine
Condition Immunities ExhaustionGrappledParalyzedRestrainedStunned
Senses Blindsight 30 ft., Darkvision 120 ft., Unknown: Ethereal Vision — the Clockwork War Dragon can see into the Ethereal Plane
Passive Perception 18
Languages Telepathy 120 ft. or line of sight. Can receive thoughts but cannot communicate via telepathy.
Challenge 12 (8,400 XP)

Immutable Form. The clockwork war dragon is immune to any spell or effect that would alter its form.
Magic Resistance. The clockwork war dragon has Advantage on saving throws against spells and other magical effects.
Magic Weapons. The clockwork war dragon’s weapon attacks are magical.

Actions

Multiattack. The clockwork war dragon makes three attacks: one with its bite and two with its claws.
Bite. Melee Weapon Attack: +10 to hit, reach 10 ft., one target. Hit: 17 (2d10 + 6) piercing damage plus 3 (1d6) fire damage.
Claw. Melee Weapon Attack: +10 to hit, reach 5 ft., one target. Hit: 13 (2d6 + 6) slashing damage.
Fire Breath (Recharge 5–6). The clockwork war dragon exhales fire in a 30-foot cone. Each creature in that area must make a DC 17 Dexterity (Acrobatics) saving throw, taking 56 (16d6) fire damage on a failed save or half as much damage on a successful one.

Cunning Action. The clockwork war dragon can take a bonus action on each of its turns to take the DashDisengage, or Hide action.

Reactions

Clockwork Stalwarcy. If the clockwork war dragon is knocked prone, it immediately rights itself without a movement penalty. It executes a counter-knockdown, and the attacker that knocked it prone must make a DC 17 Strength (Athletics) saving thrown or be knocked prone themselves.

Legendary Actions

The clockwork war dragon can take 3 legendary actions, choosing from the options below. Only one legendary action option can be used at a time and only at the end of another creature’s turn. The dragon regains spent legendary actions at the start of its turn.

Force Eye Beams. Glowing red darts of Ethereal force launch out of the clockwork war dragon’s eyes. Each dart hits only one creature of its choice that it can see within 120 ft. Each dart deals 1d4 + 1 force damage to the target. The darts strike simultaneously and are a single attack.

The clockwork war dragon prioritizes unconscious targets with its eye beams, inflicting 2 failed Death Saves on an Eye Beam attack.

Death Spiral Tail Launch. The clockwork war dragon launches its tail at any target within 30ft. Melee Weapon Attack: +10 to hit, reach 30 ft., one target. Hit: 13 (2d6 + 6) piercing damage. The target must make a DC 17 Saving Throw or be knocked prone. Once the attack is complete, the tail retracts back into the clockwork war dragon’s body.

The clockwork war dragon prioritizes unconscious targets with its tail launch attack. If the attack renders an attacker unconscious or if the victim is already unconscious, then upon a successful attack, the tail skewers the victim and retracts, bringing the body to its metal jaws. The clockwork war dragon then bites the quarry in half, killing it instantly.

Spike Launch. Each creature within 15ft. of the clockwork war dragon must make a DC 17 Dexterity (Acrobatics) saving throw, taking 8 (2d8) piercing damage on a failed save or half as much damage on a successful one.

Description

The terrible clockwork war dragon is part flat-black scaly flesh, part clockwork, in the shape of a dragon, designed as a killing machine from days long past. Once awakened, the construct goes active.

The construct, absent any coded telepathic commands from its long-dead makers, will rampage until destroyed. At one time, these creatures had extensive programming, but the relentless march of time has degraded its ability to function as an intelligent war machine. While it can leap and fly about, if it “decides” that a target needs neutralizing, it will engage in bite-range combat at the expense of using the landscape or aerial combat to its advantage.

Once in combat, the clockwork war dragon fights to the death.

Stalk Mode

Sometimes, due to its malfunctioning thought process, the construct will go into “stealth” mode and skulk about an area, usually at night. It will decide which creature in this arbitrary area poses the greatest threat and attack from the shadows, opening with a breath weapon attack.

The Tragic Nature of the Clockwork War Dragon

While it can receive telepathic communication, its creators designed the construct to respond to an encoded language. They did not give the clockwork war dragon the ability to speak back. However, over the centuries, this tragic monster “leaks” strange visions of symbols, a trait it acquired to make sense of the relentless loneliness it developed after its creators abandoned it.

If an expert in Arcana or Medicine examines the corpse of the construct once it is defeated, a DC 20 Intelligence (Arcana) or Wisdom (Medicine) will reveal the flesh of the creature was at one point an actual dragon, the brain removed in the process of magically fusing its body with the construct.

You can find the Clockwork War Dragon on D&D Beyond by clicking here: https://www.dndbeyond.com/monsters/1246836-clockwork-war-dragon.


Behind the Scenes and Playtesting

We designed the Clockwork War Dragon as a Deadly encounter, and in the final playtest, the construct killed one PC and brought the party to the brink of a TPK. A Deadly encounter is an encounter that has a reasonable chance of killing half the party. In the playtest that dropped a PC, the Clockwork War Dragon was unable to rechange its breath weapon–but if it did, it’s a mathematical certainty half the party would have died. If the recharge brought down the party’s remaining healer, the Clockwork War Dagon would have finished off the survivors. A TPK.

Death Spiral Design

A bad decision, panic, poor teamwork, and of course, bad dice rolls can start a “death spiral” at the game table. This monster has the tools to kill unconscious victims (in 5E, PCs making Death Saves), both up close and at range. PCs that take damage from a successful attack and are Unconscious automatically fail two Death Saves.

In lore, the people creating this construct were both merciless and desperate. Clockwork War Dragons weren’t the worst thing they created, but they were one of their most effective killers, going so far as to dominate an encounter with an enemy and then hunt down fleeing opponents one-by-one.

As a DM, before using this monster in an encounter, think about the challenge outside of its mathematical rating. D&D is a game. Games have win and fail conditions; otherwise, it would not be a game but a convenient “story-telling” device. This monster was used in play-testing in a campaign–the players had an understanding that something bad was going to happen, so they prepared appropriately. And that’s exactly what happened–something bad.

The players enjoyed that encounter and now suspect that something awful happened to the people who used to inhabit their lands long ago. If those bygone people created this monster, what else did they create? And why? Looking at the clockwork strewn about the battlefield, the PCs have more questions than answers–and they are not sure they want the answers.

Good players need a good challenge, and a good challenge is possible within the confines of the rules for creating monsters without a bunch of tricks, hand-wavum, or tossing waves of monsters at the PCs until one drops. Often you hear that 5E is too forgiving as a rule system. This is definitely not true. What is true is that many DMs are too forgiving. Well, and the DMG doesn’t give proper guidance in creating encounters and monsters based on player makeup and role-playing game theory.

Here are the particular attributes that make the Clockwork War Dragon a formidable opponent:

Challenging Attributes

  • Fire breath weapon: this is a young red dragon’s breath weapon, with a standard rechange on a 5 or 6 on a six-sided die, rolled at the beginning of its round
  • As a construct, it is resistant to all forms of magic via its magic resistance in addition to other immunities and resistances
  • The physical attacks also come from a young red dragon and are specific to a CR 10 monster.
  • The cunning action bonus action ability adds a high degree of versatility, and deadliness, to this monster. It can move around the battlefield or even hide in gloomy terrain each round, like a rogue.
  • Its reaction is specific to its clockwork nature: the clockwork war dragon creators did not want to make it any bigger than a Large creature. Knowing that other Large creatures could knock it about, they gave it an “anti-prone” counter-attack.
  • The monster’s legendary actions separate this beast from a CR 10 monster template, adding to the challenging rating appropriately. When there are no unconscious PCs on the battlefield, they serve as extra damage per round. When a PC goes unconscious, it uses them to kill a PC and remove him or her from the battle, as it was designed to do as a war machine.
  • Finally, the Clockwork War Dragon does not communicate. It cannot be bargained or reasoned with. It exists only to kill and destroy, and a tiny part of it wishes someone, anyone, would put it out of its misery.

Alternate Versions

A fallen kingdom or empire created the Clockwork War Dragon long ago. However, it would be easy to modify the beast as a new creation for a supervillain’s minion. Increase it’s Wisdom to 12 and raise it’s Survival Skill to +7. Here it becomes a relentless tracker.

Another modification would be to add a swim speed and the amphibious trait.

Burials of Teganshire Post 31 of 30.

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Index of Burials of Teganshire Marathon Posts

Post

System

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Link

1

RPG

Running the Game

2

RPG

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3

RPG

World-Building

4

RPG

Plotting

5

RPG

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6

RPG

Running the Game


7

RPG

Plotting


8

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9

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10

RPG

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11

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Design


12

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Humble Brag

13

RPG

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14

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15

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16

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Design

17

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18

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19

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20

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Burials of Teganshire


21

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22

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23

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24

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Burials of Teganshire

25

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26

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27

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28

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29

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30

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31

RPG

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